VCE Music (Part 3 of 3)

2.
Major	I	III	V
minor	I	III b	V
Augmented	I	III	V #
diminished	I	III b	V b
Major 7	I	III	V	VII
minor 7	I	III b	V	VII b
diminished 7	I	III b	V b	VII bb
½ diminished 7	I	III b	V b	VII b

Section A: Theory and Aural (Based on the tonal centres of G, A, Bb, C and D.)

1.	Based on	Key Signature	Formula
Major
harmonic minor			↑ 7th
melodic minor			↑ 6th and 7th (Ascending) ↓6th and 7th (Descending)
Dorian	D	↓1 (from starting note)	↑ 6th
Lydian	F	↓4 (from starting note)	↑ 4th
Mixolydian	G	↓5 (from starting note)	↓ 7th
Major Pentatonic			No 4 OR 7
minor Pentatonic			No 2 OR 6
minor Lydian	F	↓4 (from starting note)	↑ 4th + ↓ 6th and 7th
Lydian Dominant	F	↓4 (from starting note)	↓ 7th
Algerian	harmonic minor scale		↑ 4th

1. Scales and Modes (Part 1)
   
2. Part 2 (Harmony) Chord Structures.
   
3. Grid of 4^ths / 5^ths
   
4. Chord Progressions (Major and minor)
   

   
    

   
    

   
    

   
    

I	ii	iii	IV	V	vi	vii
Major	minor	minor	Major	Major	minor	diminished
Major 7	minor 7	minor 7	Major 7	Dominant 7	minor 7	half diminished 7

 

 

 

3.	Major	Minor
1 Sharp	G	e
2 Sharps	D	b
3 Sharps	A	F#
4 Sharps	E	C#
5 Sharps	B	G#
0 (NO SHARPS OR FLATS)	C	a
1 Flat	F	d
2 Flats	Bb	g
3 Flats	Eb	c
4 Flats	Ab	f
5 Flats	Db	Bb
I	ii		III+	iv	V	VII	vii
minor	diminished		Augmented	minor	Major	Major	diminished
	half diminished 7			minor 7	Dominant 7	Major 7	full diminished 7

 

The Order of Sharps and Flats:

	Cadences
Perfect	V - I
Plagal	IV - I
Interrupted	V - VI
Imperfect	? – V (Needs 1 more chord)
		Technical Degrees of Scales
1 (8)		Tonic
2		Supertonic
3		Mediant
4		Sub-Dominant
5		Dominant
6		Sub-Mediant
7		Leading Note

Order of Sharps:

    F, C, G, D, A, E, B.

Order of Flats:        B, E, A, D, G, C, F.

 

This Concludes my 3 Part VCE Music Revison.